Diego Olivas
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It’s time to fall back. Rather than entreat you with another long-winded overview of another artist’s work, how about we revisit just one more time this other work by Shinsuke Honda: Silence. Whereas Banka (Late Summer) played to the varied moods of late summer, of course, Silence from its album cover to its ruminative, meditative,…
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Banka (Late Summer). What a name? Before I get ahead of myself, my apologies for not sharing the work of Shinsuke Honda much earlier. It’s one of my flaws as a music writer. I see music not in a stylistic sense but through an environmental lens. If it’s not in season, it’s not the time…
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Now here’s a man after my own musical heart. Untied to any single genre or set on creating some easily classifiable, Mark Wood’s La Mezcla takes a tastemaker’s approach to the DJ mix and applies it to the musical medium: the album. Sadly, on his only release, on La Mezcla we hear all sorts of…
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Recently, I asked my partner to name the kind of music they’d love to hear play for my next mix for LYL Radio. To my surprise, they simply said: “I’d love to hear more of that hammock music.” Hammock music. I asked them, “What do you mean?”
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When I was asked to make a mix for KPISS.FM’s “Paradise Of Replica” regularly hosted by fellow reader/guest contributor Canterel, plus Himiko and Kyle Kyle, I felt inspired by what is their regular episode opener. It’s a brief intro featuring a snippet of from intro track to After Dinner’s brilliant album of the same name…
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Let me be forthright, I wish I had more info to share about this album. Doris Monteiro’s Agora, released in 1976, was a revelation then as it still is now. It’s a funk album, it’s a chanson album, it’s a detached post-bossanova album, it’s a whole bunch of other unclassifiable stuff, but first (and foremost)…
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Sometimes I think various music reviewers and blogs bandy the term “floating” a bit too loosely with music. What some might think of as a floater seems to be a bit lightweight to me. However, in the case of Hiroki Komazawa’s Feliz, no other term comes closest to describing it. Here there is just one…
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One of my worst kept secrets is my love for Diana Pequeno’s Mistérios. It’s no mystery that it hits all the points I love about music: it’s dreamy, it’s complex but easy going, it’s the product of an artist going out on a limb (in a way most wouldn’t expect). Most importantly, the reason Mistérios…
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I’m glad we’ve gotten hints of the special work Lee Byung-Woo has done quietly behind the scenes in his native Korea. I wager some of you’ve already heard his music soundtracking Bong Joon-Ho’s brilliant films like The Host and Mother. Somewhere lost to our shores has been Lee Byung-Woo’s earlier trailblazing career. 1989’s 1집 –…
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For such a short solo career Gianni Nocenzi’s work is quite mercurial. In the span of two albums, recorded five years apart, this giant of Italian prog released music that sounded like little else he’d ever do. Most importantly, here, in 1993’s Soft Songs he tries to cross a bridge few would actually venture to…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic